CBS’ new Nancy Drew will look very different should the network move forward with the reboot.
CBS Entertainment president Glenn Geller revealed Tuesday that the network’s reimagining of the iconic character will be diverse.
“She is diverse, that is the way she is written,” the executive told THR immediately following his time in front of the press at the Television Critics Association’s winter press tour Tuesday. While Geller said it was too early in the process to explain just what he meant by diverse — whether Nancy is African-American, Asian-American or Latino, he said it would hinge on finding the right actress for the part. “[She will] not [be] Caucasian,” he stressed. “I’d be open to any ethnicity.”
Nancy Drew first appeared in books in 1930 and was originally created by Edward Stratemeyer.
But White People are politically incorrect.
The news comes a day after Netflix announced it was teaming with Norman Lear for an all-Latino remake of his classic sitcom One Day at a Time, as networks make diversity a priority in a bid to attract new underrepresented communities and better reflect society.
During his time in front of the press Tuesday, Geller stressed that diversity is playing a major role in his development season. “We have a lot of new series in development, both series targeted to have full African-American or Latino casts but also many leads that are being developed [as diverse]. We’re not casting color blind, we’re casting color conscious,” he said.
As we found out in yesterday’s blog, color blind is racist.
We’re not “racists” :), we just will not employ any more White people. 🙂
They win us no points in the Politically Correct “diversity” game. White people are not “diverse”.
We are “inclusive” of anyone EXCEPT white people.
“I’m just a gay guy from Indiana who doesn’t play basketball, but now I’m the president of entertainment at CBS,” he said to laughs.
Isn’t he wonderful? 🙂
No Wedding Pizzas for him…
No Straight White People need apply.
That’s The Diversity Games.
THR: Minorities make up 13.7 percent of writers rooms while comprising 37.9 percent of the population nationwide, with only 10 individuals of color (out of 73) on THR’s 2015 Power Showrunners list.
But there’s no quota. 🙂
There are no stats available on how many minority writers made it in TV without going through a program, though one Latino alum jokes: “John Ridley had to win an Oscar to get a television show.” Which is why new-talent development and “inclusion” programs, such as the ones every single broadcast network supports — no doubt part good business, part public relations, part social conscience — are a key part of writers room staffing. Like college scholarships for minorities, these programs are all about removing as many barriers to entry as possible, including financial ones. But with every good intention can come inadvertent side effects, from writers of color who are perceived as less qualified to the subsidization of first-season salaries that can lead to a “freebie” mentality among showrunners toward those scribes.
None of the programs guarantees a job afterward, but they work closely with graduates to provide them priority consideration for staffing, often as a diversity hire. (Diversity is nowadays defined broadly by the programs to include unique voices and experiences, but it usually refers to underrepresented demographics — chiefly minorities, women and LGBT individuals.) A diversity hire is a minority scribe who occupies a staff-writer position that is fully network-subsidized. Showrunners are thus incentivized to take on an unfamiliar face since his or her salary isn’t coming out of the show’s budget. There’s no limit to the number of times a writer can be the diversity hire, provided he or she is fine with staying at entry-level pay.
But there’s no quota and no discrimination against majority White writers of the same or better talent, right? 🙂
…the network-funded diversity initiatives that help writers rooms avoid homogeneity also have created a system that can condition showrunners to regard diverse writers as unpaid labor. “After they are no longer free, the vast majority of diversity writers are released from their shows,” says a Latina writer who wasn’t hired on her network program (she later was independently staffed on a cable series). Jones agrees: “Programs should stop pitching diverse writers as ‘free’ because it creates an affirmative action mentality.”
But affirmative action was “diversity” before “diversity”was all the liberal rage. So what if they lack respect and low pay, it’s “diversity” for “diversity” sake right? 🙂
On rare occasions when strained showrunners can’t cover the cost of a diversity hire beyond the program, Disney-ABC vp creative talent development and inclusion Tim McNeal will subsidize half the salary from a safety-net reserve called the breakage fund. “It’s important that shows don’t look at this as a free pass to get an extra body, so I ask them to match dollar for dollar so they have skin in the game,” he says. “This is a onetime payment.”
A Bailout! How Leftist is that. 🙂
…as the Latina writer puts it: “I’d hate to see what our statistics would be like without these diversity initiatives.”
Evil Racist White people as far as the eye can see, of course.
It’s only Natural. 🙂